Kongo has been looking forward to this one for two years. He spent two days of it flat on his back.
Something the monkey ate — or breathed, or shook hands with — after the tour in Valencia on Monday put him in the cabin for more than forty-eight hours. He missed Ibiza entirely. He missed Palma de Mallorca entirely. And he missed Banyuls-sur-Mer. The anxious simian could not have imagined a worse start for a vacation. Mrs. Kongo went ashore and reported back; Kongo lay in a darkened room on a very nice ship and studied the ceiling. And slept and slept and slept.
He was not going to miss the eclipse. As it turned out, he did not have to go anywhere.
Suite 530 is on the port side. The World Traveller left Palma at three o’clock on Wednesday afternoon and turned north into open water — not toward anywhere in particular, just toward the cleanest air the captain could find. And a ship steaming north puts her port side to the west.
Which meant that the sunset, and everything that was going to happen in front of it, was going to happen directly off Kongo’s own balcony.
The monkey has never had a better piece of luck on a ship and does not expect to again. From seven o’clock the western rail three decks up was three deep in people. Kongo set up on his own balcony, with a rail to lean on, a chair behind him, and his bed about nine feet away.

A total solar eclipse happens when the moon passes exactly between the earth and the sun, and its shadow falls on a strip of the world a hundred miles wide. On 12 August 2026 that strip came down out of Greenland and Iceland, crossed the top of Spain from La Coruña through Zaragoza and Valencia — where the monkeys had been standing two days earlier, before the trouble started — and went out over the Mediterranean across the Balearics. We were sitting in it, about twenty miles north of Mallorca.
Here is what made this one unusual, and it turned out to matter more than anything else. The sun was two and a half degrees above the horizon.
Not low. Two and a half degrees. Hold two fingers up at arm’s length — that was the entire gap between the eclipse and the sea. It was one of the lowest-altitude totalities anywhere along the track, which meant Kongo was looking at the sun through roughly fifteen to twenty times as much atmosphere as he would at noon. And it meant the sun would still be partly eclipsed when it set. There was never going to be a final contact above the horizon. The sun was going to go into the water with a bite out of it.
That is a rare thing to be able to photograph. Kongo had a plan for it.

First contact came at about twenty to eight — a small nick in the upper right edge, nothing more. Over the next fifty minutes the bite grew, and the light started doing something Kongo has never seen described properly. It does not get darker, exactly. It gets thin. Flat, silvery, shadowless, as though somebody had turned the contrast down on the whole world. Up on the open decks people kept looking around and asking each other whether it was just them.
It was not just them.


Through a solar filter at four hundred millimetres the sun came up amber and clean, and Kongo got the frames he had hoped for. Sunspots. A hard, crisp limb. The moon eating steadily across it. Those are the sharpest pictures in this post, and every one of them was made before eight o’clock.
Then the sun found the cloud.

There was a bank of it sitting on the western horizon. Not an overcast sky, not a bad day — just a low grey wall of the kind you would never glance at twice at midday. With the sun two degrees up, you do not get to go around it or over it. Everything Kongo had read said Mallorca had the best eclipse weather odds on the entire track: eighty per cent clear. That is a very good number. It is also a number that loses one time in five.
For a few minutes it was genuinely spectacular. The crescent burned through layered gold, cloud structure everywhere, the whole western sky lit like a furnace. If somebody had told Kongo in advance that this was the picture he would come home with, he would have taken it and shaken on it.
Then it kept going down.

Totality arrived at half past eight, lasted about a minute and a half, and Kongo can report that it was a dark grey blob.

That is the honest version. No corona. No diamond ring. No gasp. What there was — and this is the part worth saying — was everything else that happens at totality, arriving exactly on schedule and not caring in the least about the cloud. The light went. Not dusk; something faster and more wrong than dusk. The temperature dropped. The horizon lit up in every direction at once, three hundred and sixty degrees of sunset with no sun anywhere in it, which is a thing you cannot see any other way.
And two decks above him, a hundred and fifty people went completely silent all at once. Kongo could hear it perfectly well from where he stood.
You can be robbed of the photograph and still be handed the ninety seconds. Kongo would rather have had both. He will take the one.
After that it was finished. The cloud thickened, the crescent went to mush, and the sun set behind the bank still bitten. Kongo never saw it touch the water. He kept shooting a while longer out of pure stubbornness, then stopped, which is its own kind of skill. Then he put the camera on the chair and went back to bed, nine feet away.
Kongo was not the only one having an evening. He just heard about the others afterwards.
Ron, who went up with a real camera and serious intentions, spent the partial phases fighting his focus — which at four hundred millimetres, on a boiling low sun, through a solar filter, is a genuinely miserable fight to be in. The autofocus has nothing to grab. The limb shimmers. You get it, you lose it, you get it again, and you are never sure which frames are the sharp ones until you are home.
Kongo told him what somebody should have told him a week earlier: find focus once, on the limb, at maximum magnification in live view. Then tape the focus ring. Gaffer tape straight across the ring and onto the barrel. It looks like vandalism, it feels like cheating, and it is the single most useful piece of advice anybody will ever give you about photographing the sun. The enemy is not focus. The enemy is your own hand drifting onto the ring in the dark.
Ron will have it right in Luxor.
Mrs. Kongo Reports
While Kongo was studying the ceiling, Mrs. Kongo went ashore in Ibiza and again in Palma and Banyuls-sur-Mer, and she would like the record to show that she had a wonderful time.
She came back both days with a full report. The report was thorough. The report was delivered with enthusiasm and at length. And the report consisted very largely of a detailed inventory of things that Kongo would have loved to see.
He would have loved the walled old town. He would have loved the light. He would have loved a particular thing she saw on the way back that she could not entirely describe but was quite certain he would have loved. She was, in every single case, completely correct — which did not help even slightly.
Then she went up one deck with her friends to watch the eclipse with no camera, no filter, no plan and no expectations, and had an excellent evening.
Mrs. Kongo has been magnificent all week. Kongo is aware that a debt has been incurred here, and that it is being tracked, and that it will come due somewhere around the third week of the voyage. He accepts this.
So: an underwhelming eclipse, and Kongo is not going to dress it up. Two years of anticipation, three days in a dark cabin, one absurd stroke of luck with the ship’s heading, and the weather took it in the final ten minutes. That is how it goes. The sky does not owe anybody anything, and anyone who tells you they have never been clouded out is either lucky or new.
But there is another eclipse on 2 August 2027, and it is the opposite of this one in every respect that matters. It runs across the Egyptian desert near Luxor. The sun sits high overhead in the middle of the day rather than scraping the horizon. And totality lasts six minutes and twenty-three seconds — the longest on reachable land until the year 2114.
No horizon to clear. No haze bank. No fifteen airmasses. Six and a half minutes.
Kongo is thinking about it. So, he suspects, is Ron.
The monkey is on the mend, since somebody will ask. We are in Sette today, and he fully intends to be ashore for it.
Travel safe. Have fun!


You win some, you lose some. Nice pictures! I didn’t attempt to take any but I looked good and hard, from Elvas in the centre of Portugal xx
Total eclipses are amazing phenomenon and I can understand your enthusiasm even though you weren’t feeling well. We saw the total eclipse of 2024 and we are hooked. We are now planning to see the 2028 that will go through Australia…but also thinking of the 2027 one…such amazing sight.
What a fantastic write-up! So glad you are starting to feel better. Are you becoming an eclipse chaser like we did after Jackson, Wyoming, in 2017? We didn’t make this one – didn’t work out and we thought it was way too likely to be cloudy in Iceland. I am eying northern Australia in July 2028 – the dry season and clear skies with 5 minutes of totality. Don’t know if it will work out, but keeping it in mind. Sounds like your trip is amazing! Best wishes to Mrs. Kongo too!